Liverpool Sound and Vision Rating 7/10
Cast: Alison O’ Donnell, Ashley Jensen, Steve Robertson, Lewis Howden, Anne Kidd, Angus Miller, Steve Miller, Ian Hart, Tibu Fortes, Stuart Campbell, Sarah MacGillivray, Jacob Ferguson, Robert Jack, Vincent Regan, Ross Anderson, Macleod Stephen, Tara Lee, Johannes Lassen, Nathalie Merchant, Ines Høysæter Asserson, Leroy Boone.
Liverpool Sound and Vision Rating 8.5/10
Thankfully in today’s world the fear of missing out should be one emotion we can surely relegate to the past; especially when it comes to the ability to have the opportunity to listen in comfort to a performance by an artist at the constant top of their game, and the luxury of being enthralled by the deep dive into the catalogue provided.
Liverpool Sound and Vision Rating 8.5/10
Of all the ways you might expect the art of the Progressive to go, to slip comfortably into the realm of the festive spirit might be the one guess you would never offer to the eternal quizmaster.
It might not be obvious, but if there is one band whose history has circumnavigated almost every genre that can be touched upon with a flute leading the way, then Jethro Tull have every right to surprise and enlighten the audience and the fan alike by immersing their unique observation into an album devoted to the ringing of the bells and the signal to good will to all included.
Liverpool Sound and Vision Rating 9/10
When an artist goes meta there is strange greatness that comes across that raises a smile on those who see the mindplay for its absolute full worth, and high fives the mind with a slap that echoes around the room and reiterates the art doesn’t lie, it glorifies, it attunes, it might hide and deceive, it certainly physically enables, but it does not lie; and as Sam Llanas drives home the point in his brand new single, I’m Not A Robot, it attaches itself to the mood deep down and gives the listener a reason to conceive of security and human liberties in motion.
Liverpool Sound and Vision Rating 8.5/10
The genre is not for everyone, but Death Metal exists because of a natural requirement to explain humanity’s darker elements in such a way that could be considered more theatrical than what the art of cinema for example could depict, even literature of such gruesome imagination would be relegated to a store cupboard out of the reach, and yet in the hands of masters what comes across in audio is sculptured visibility, it is the virtuosity of carving out a figure to which can leave the listener, the fan or the enquiring novice, gaping in wonder at the sheer strength of musicianship given a voice of anger and fierce outlook.
Floating
Dreaming
Here on my slow island bed
Lost in the seas
And the Albatross Skies
So High
What- What is there to do?
Nothing I want to see
Except for the crested waves
Crashing off the mirrored versions
Of me
Floating
Dreaming
I witness you there
Circling with the Albatross
Touching the opaque wispy clouds
So High
Alone, Here I Lay
Youthful hands behind my head
On crumbling dreams
On Petit Bot Cliffs
Gentle-Airless
A rumble from distant wings
Floating
Dreaming
Where will I go to
When this dream is over
Where will you land
Now that the world is so high
What-What is there to do
Nothing I want to hear
Except for the sound
Of your
Mournful forgotten cry.
Liverpool Sound and Vision Rating 9/10
The commotion of excitement is always palpable; sometimes though you must actively ask the question to which the other person in your vicinity might cut down the animation you feel and display agitation and coldness to the familiar…the response will not fit your enthusiasm, but it will inspire something deep down in your poetic soul and create art, create a new world driven from the negative pressure once felt to the beauty of positivity.
Liverpool Sound and Vision Rating 8.5/10
We hail the king, but it is to the everyman, the artist, the grass roots, and the masses that we owe allegiance to. The aristocracy of the humble and the public attention belong to those not with crowns but the kings and queens of delight and observation, those with true power, that exercise it with greater acclaim than those who garnish themselves in adoration because of an accident of birth.
Liverpool Sound and Vision Rating * * * *
Adaption doesn’t always come with understanding of the original text; indeed, in many cases the sense of history and time is lost because the adapter has made it to personal, they have come into the project and captured the self-worth rather than the voice of that in which they intend to honour.
Liverpool Sound and Vision Rating * * * *
The ability to work in the stream of conscious is a skill that doesn’t get enough commendation, to set out and complete an idea without reworking it to the point where it becomes sterile for the performer is a devotion to the belief of human ingenuity and unquestionable imagination at our disposal.
To do so though in the arena where the live performance hangs on the outcome of limited rehearsal and utilising only the new product to showcase your proficiency and musical power is beyond commendable, it is to be admired throughout.